![]() Trailing 69-67 with 20 seconds remaining, Valparaiso got a defensive stop and secured the rebound. Twenty-five years later, that shot remains one of the most iconic in college basketball history. “Bryce realized it wasn’t him, but it was God’s power through him that allowed that shot to go in,” Homer said on the Sports Spectrum Podcast in November. Only when they were walking out of the locker room at Myriad Convention Center in Oklahoma City that afternoon of March 13 did Homer learn the real reason.īryce told Homer he dove on the floor because it was the closest place he could get to where he could give thanks to the Lord. Homer thought it might have been an attempt to protect himself as his teammates came running at him. His dad and head coach, Homer, was asked after the game why Bryce dove onto the floor. 4-seed Ole Miss in the 1998 NCAA Tournament, Bryce Drew hit the deck. Immediately after hitting a 3-pointer at the buzzer to lift No. Thank you for being patient with me.Spring 2023 Issue With the 25th anniversary of one of the most iconic shots in college basketball history upon us, the Drew family reflects on that moment, their shared faith in Christ, and the coaching journeys of Homer, Scott and Bryce. For the gut-trusters, the curious, and the ones who feel it all. For those who have a strong sense of self. They opened my mind in creating them and it is my hope in sharing them that they will go on to open the minds of those who listen. Fast forward a few months and I am living in California and we are making just that: he immediately asked me where my record was. I couldn't have asked for a better place to focus on my craft and grow as a writer.įour years later, I was on a writing trip to LA when I found myself at Greg Wells' studio playing some songs. If you know Nashville, you know that that town is a songwriting university in itself. Before I knew it, I was leaving my hometown of Miami, Florida to study songwriting at Belmont University in Nashville, where I met some of the most incredible mentors and collaborators. ![]() I spent the next few years writing, playing live, and making singer/songwriter friends through YouTube. My guitar will never see the bottom of a bed again. It opened the door to the world where I find the greatest sense of belonging. I pulled that guitar out from under the bed, dusted it off, and, this time, it didn't bring me pain. I got hit by it all enough to want - to need - to say something. One of the most monumental years of my life, heavy with loss and change and growing up. I was given a guitar for my 15th birthday and it hurt my fingers to play so bad that I kept it under my bed for an entire year. Many guess that guitar has been a part of me for that long too, but here's the true story: For me, it was Lauryn Hill, Adele, Joni Mitchell. While everyone around me was dreaming of O pera H ouses and Broadway, I was envisioning Radio City Music Hall. As much as I loved being a part of all of that, it didn't really feel like my musical place. ![]() I took it and ran and quickly found myself diving deep into classical and musical theatre. ![]() Choir was my first chance to make it to the stage. I was the impatient kid jealous of all the first graders who were old enough to join the choir, and, oh, w hen that opportunity came, you bet ya I was at the front of the audition line. I'd bring my CDs to school and beg the teachers to play them during class. First it was the Norah Jones, Sheryl Crow, The Carpenters, Corinne Bailey Rae. What life would that be anyway? And, quite honestly, would it really be mine? I would make no sense.
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